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“... images for the mass market. Although, later in life, she specialised in mothers and children, as Griselda Pollock points out, the images are usually freshly observed and modern in their psychological understanding of the relationship, as well as advanced in their formal language. One of her most interesting representations is of her own mother, a mother ...”

“... Jacqueline Rose in Women in Dark Times (2014); Belinfante in her essay for the Taschen selection; Griselda Pollock in her momentous new study, Charlotte Salomon and the Theatre of Memory. There is no official trace of Salomon or anyone else detained at the time: the camp administrators destroyed the records in June 1940. But the Gurs memorial archive ...”

“... verge on narrow-mindedness; the game might bore us. But the rulings were clear: by 1954, Jackson Pollock’s paintings were ‘forced’ and ‘dressed up’; Clyfford Still never left the minor league; Marcel Duchamp was a joker (not in a good way); Morris Louis painted as brilliantly as Raphael. In a 1959 essay, ‘The Case for Abstract Art’, he answered ...”

“... in response above all to a series of interventions by feminist scholars such as Linda Nochlin and Griselda Pollock. In their ambitious new survey of 19th-century European and American art, Stephen Eisenman and his collaborators have sought to build on this legacy and to consolidate the gains they feel have been achieved. Apart from Professor Nochlin, the ...”

“... in the 1970s, Rosalind Krauss’s brilliant Kleinian reading in Bachelors, and continuing with Griselda Pollock, Briony Fer, Mignon Nixon, Anne Wagner and Alex Potts in a special issue of the Oxford Art Journal (22 February 1999) devoted to the artist. At the same time, Bourgeois has provided herself with a textual persona as tantalising and ...”

“... artists painted the environments to which they had access. In an essay published the same year, Griselda Pollock pointed out that for the bourgeois woman, this meant painting gardens and drawing rooms instead of the spaces of modernity available to their male counterparts – the city street, the café and so forth. Women’s use of domestic imagery ...”

“... and feminism of the 1960s, engaged scholars including T.J. Clark, Thomas Crow, Linda Nochlin and Griselda Pollock asked difficult questions about class, audience, gender and sexuality, questions that were soon rumbling through other fields as well. Yet disruptive though these inquiries were, they mostly continued to insist on the centrality of the ...”

“... quote, ‘Althusser, Lacan, Kristeva, Derrida, Balibar, Hadjinicolau, Coward, Ellis, Tagg, Burgin, Griselda Pollock, Kelly, Screen Education or Tel Quel’, and constructed a materialist counter-humanism which saved, or at least guarded, the legitimacy of common-sense language. We had both been invited to give papers at a conference at Dartington Hall ...”